[vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”3″ bottom_padding=”3″ overlay_alpha=”100″ equal_height=”yes” gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ inverted_device_order=”yes” row_height_use_pixel=”” style=”inherited” el_class=”annual-portfolio-main-row”][vc_column column_width_percent=”100″ gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”100″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”2\/3″ safe_padding=”yes”][vc_gallery el_id=”gallery-139390″ medias=”86002,86003,86004,86005,86006″ explode_albums=”yes” gutter_size=”2″ media_items=”media|lightbox|original” screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”40″ single_padding=”2″ single_border=”yes” single_css_animation=”bottom-t-top” single_animation_delay=”200″ lbox_caption=”yes” lbox_deep=”yes” lbox_no_tmb=”yes”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ sticky=”yes” width=”1\/3″][vc_row_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_single_image media=”85735″ media_width_percent=”100″ el_class=”sideways-A”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][vc_custom_heading text_font=”font-377884″ text_size=”fontsize-155944″ text_weight=”500″ text_color=”accent”]A&D ANNUAL 2021[\/vc_custom_heading][vc_separator sep_color=”accent” el_width=”50%” el_height=”3px”][vc_empty_space empty_h=”1″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″ text_size=”h3″ text_weight=”500″ text_color=”color-jevc”][\/vc_custom_heading][vc_custom_heading auto_text=”excerpt” heading_semantic=”p” text_size=”” text_weight=”400″ text_color=”color-wvjs”][\/vc_custom_heading][vc_separator sep_color=”color-uydo” el_height=”0.5px”][uncode_portfolio_details][vc_separator sep_color=”color-uydo” el_height=”0.5px”][uncode_share layout=”multiple” bigger=”yes” no_back=”yes”][vc_button button_color=”accent” size=”btn-sm” outline=”yes” border_width=”0″ icon_position=”right” icon=”fa fa-cloud-download2″ el_class=”download-button” link=”url:https%3A%2F%2Fannual.artdesign.unsw.edu.au%2Fwp-content%2Fuploads%2F2021%2F12%2FAilish-Power-%E2%80%93-ANNUAL-2021-UNSW.pdf”]Download profile[\/vc_button][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
\u2018Dinnas\u00a0Ready\u2019 is a dining table adorned with engravings and\u00a0tableware\u00a0that aims to explore Australian identity through the parameters of object design. The research investigates Eurocentrism in Australian design within the context of inequality and explores the importance of cultural equality whilst acknowledging Australia\u2019s cultural hybridity. The research is situated in the theoretical framework of discursive design\u00a0in conjunction with a cultural-probe methodology to\u00a0initiate\u00a0thinking and engagement, stimulating reflection.\u00a0The table is inspired by\u00a0the designer’s\u00a0cultural background, traditional Irish\u00a0\u2018Famine\u2019\u00a0chairs, and is representative of the European influence in Australia.\u00a0The engravings and\u00a0tableware\u00a0are direct transformations from the drawing responses to the cultural-probe\u00a0methodology. The engravings transposed handwriting and drawings from paper onto the tabletop, enacting the discursive design framework that advocates for design with meaning and connotation rather than functionality or aesthetics. There is an Australian First Nations presence in the research through the traditional First Nations wax finish (gifted to the designer by Anthony Hayward,\u00a0Ngiyamapaa, Broken Hill, May 2021) paired with an Australian self-sourced clay representative\u00a0both of the landscape\u00a0and connection to Country.\u00a0<\/p>\n","protected":false},"author":8,"featured_media":86007,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"portfolio_category":[118,86,94,111,77],"class_list":["post-85970","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-home","portfolio_category-ceramics","portfolio_category-bachelor-design","portfolio_category-m-p","portfolio_category-object-applied-design"],"_links":{"self":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/portfolio\/85970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/comments?post=85970"}],"version-history":[{"count":5,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/portfolio\/85970\/revisions"}],"predecessor-version":[{"id":87860,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/portfolio\/85970\/revisions\/87860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/media\/86007"}],"wp:attachment":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/media?parent=85970"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2021\/wp-json\/wp\/v2\/portfolio_category?post=85970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}