[vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”3″ overlay_alpha=”100″ equal_height=”yes” gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ inverted_device_order=”yes” row_height_use_pixel=”” style=”inherited” el_class=”annual-portfolio-main-row”][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”0″ override_padding=”yes” column_padding=”0″ overlay_alpha=”100″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”2\/3″ safe_padding=”yes”][vc_gallery el_id=”gallery-139390″ medias=”84428,84429,84430,84431,84432,85411,85409″ explode_albums=”yes” gutter_size=”2″ media_items=”media|lightbox|poster” screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_width=”12″ single_overlay_opacity=”50″ single_padding=”2″ single_border=”yes” single_css_animation=”bottom-t-top” single_animation_delay=”200″ lbox_caption=”yes” lbox_deep=”yes” lbox_no_tmb=”yes”][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ sticky=”yes” width=”1\/3″][vc_custom_heading text_size=”fontsize-155944″ text_weight=”500″ text_color=”color-jevc”]A&D ANNUAL 2020[\/vc_custom_heading][vc_separator sep_color=”color-jevc” el_width=”50%” el_height=”3px”][vc_empty_space empty_h=”2″][vc_custom_heading auto_text=”yes” heading_semantic=”h3″ text_size=”h3″ text_weight=”500″ text_color=”color-jevc”]Zorica Purlija[\/vc_custom_heading][vc_custom_heading auto_text=”excerpt” heading_semantic=”p” text_size=”” text_weight=”400″ text_color=”color-wvjs”][\/vc_custom_heading][vc_separator sep_color=”color-uydo” el_height=”0.5px”][uncode_portfolio_details][vc_separator sep_color=”color-uydo” el_height=”0.5px”][uncode_share layout=”multiple” bigger=”yes” no_back=”yes”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
Natalie Tso is an emerging artist working on stolen Cammerygal and Gadigal lands. She creates sculptures and self-performances to survive trauma. Her performances prioritise bodily memories and their contact with materials such as hair, face masks, threads and clay. Natalie investigates the emblematic acts of cleaning and swallowing as metaphors for cultural erasure and the racial ornamentalisation of Asian women. The material residues from these performances complete her sculptures. Hinged upon a precarious balance between love and fear, remembering and forgetting, survival and grief, her art is about suffering, aiming to reshape intimate and political relationships.<\/p>\n","protected":false},"author":3,"featured_media":84430,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"portfolio_category":[95,118,110,81,78,75,72],"class_list":["post-84426","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-bachelor-fine-arts","portfolio_category-home","portfolio_category-q-t","portfolio_category-installation","portfolio_category-moving-image","portfolio_category-performance","portfolio_category-sculpture"],"_links":{"self":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/portfolio\/84426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/comments?post=84426"}],"version-history":[{"count":7,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/portfolio\/84426\/revisions"}],"predecessor-version":[{"id":85412,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/portfolio\/84426\/revisions\/85412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/media\/84430"}],"wp:attachment":[{"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/media?parent=84426"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/archive.annual.artdesign.unsw.edu.au\/2020\/wp-json\/wp\/v2\/portfolio_category?post=84426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}